OLD WORLD (Asia, Arabia, Europe)
"Nabeleli" by Orchestre Kompako
TOP TENSI've posted my top ten new releases and top ten reissues of the year here
SONIC INFIDELITYLoopy space Cumbia from Bareto ("Las voz del sinchi"), plus Bomba Estereo, Sidestepper, etc on a varied sampler from Polen Records
Dubby slowed-down Cumbia from G-Flux y Papi Perez "Noiseyméxico", but wears thin after a while...
If you prefer your Cumbia straight up: "Suave" by Eskorzo with Celso Piña & Coque Malla
GIGSAurelio Martinez, last of the Garifuna rockers from Belize, is on tour. Triple Door, Seattle, Dec 30; Portland Oregon Museum of Art Dec 31
Wu Man (Chinese pipa player) backed by Kronos Quartet, Hertz Hall, UC Berkeley January 18
ETCI updated the LETTERBOX below right, after a nice exchange with Jan in Dublin
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VERCKYS et l'Orchestre Vévé|
Congolese Funk, Afrobeat & Psychedelic Rumba 1969-1978 (Analog Africa AA17 2014)
When you pull out all the stops on a church organ you get an almighty noise guaranteed to raise the roof. When Samy of Analog Africa does it, you get a killer album of rare tracks from one of the most rumbustious acts to come out of the Congo in the rip-roaring 70s. Georges Kiamuangana "Verckys" was a saxophonist with OK Jazz from 1963 but didn't always see eye-to-eye with his boss and finally, in 1969, broke away to create his own band, his own studio, and even his own label (in 1970) from where he threw hit after hit onto turntables across Africa, from Lagos to Nairobi. Though the sax was his main instrument (his nickname came from mishearing King "Kurtis" as "Verckys") he was soon to jettison the horns and feature the stripped-down acts of the generation Langa Langa which replaced the older dance bands of Franco and Rochereau. Verckys had monster smashes with his own band, Orch Vévé, as well as the numerous bands he nurtured like Orchestres Bella Bella, Kiam, Les Kamale, Empire Bakuba, Lipua Lipua, Les Grands Maquisards, Zaiko Langa Langa and Stukas. His first three albums were put out by Ngoma before he started his own state-of-the-art studio, to which he added a record-pressing plant. He then signed Rochereau and recorded four very successful albums, including Maze. In 1977-8 Sonafric issued a nine volume series of Grands Succès, Direction Verckys. Because of the great passion for Congolese rumba and cavacha in East Africa, Verckys went on tour to Uganda and Kenya. He struck a deal to reissue albums in Nairobi and recorded the smoking "Nitarudia" with Orch Vévé Star (So far, I've found a dozen albums released in Nairobi in those golden years 1983-5.) The audiences went wild. Any talented bass player was compared to Vévé's Shaba Kahamba. Some Vévé musicians decided to stay behind and formed Orchestre Bana Ngenge. The Vévé sound was so pervasive (and portable) that many Congolese acts moved East and played the stripped-down music with sax and multiple lead guitars. Other aspects of Verckys' career and his productions appeared periodically on Sonodisc in Paris. In the 1990s Sonodisc issued a couple of greatest hits CDs and RetroAfrica leaned heavily on them for its reissue called Vintage Verckys. Since I maintain the collaborative Vévé discography (elsewhere on this site) I can quickly pinpoint the source of these tunes, and it is really startling. Samy has had a fresh look, and only taken tracks from a couple of known albums: the rest are 45s and quite a few of them - six - obscure B-sides. Needless to say he has come up with the goods: every track on here is a revelation. Yes, I think the entire output of Verckys should be reissued & this first step in that direction makes a good case for that.
The CD kicks off with a sax-led funk track (with pidgin English lyrics), "Bassala hot," which was featured on Grands Succès vol 2 and reflects particularly the Nigerian passion for James Brown. But then we kick into the cavacha sound that became the high watermark in East Africa, with wild dueling guitars, snapping snare drums and sweet vocals harmonies. I am guessing Roxy Tshimpika is on lead guitar, but there was no info on individual tracks in my digital copy. I would love to know who is singing on here, and even the sax which I think is Moro Beya Maduma. I heard a shout-out to Aladji who is the rhythm, or mi-solo guitarist with the alluring name Aladji Baba. "Cheka sana" returns to the funk, this time with twin saxes (Matalanza or Verckys himself with Moro Beya?). "Oui Verckys" follows: this time organ-led and highly reminiscent of "Mother Popcorn" by James Brown. Enough with the funk, back to the mellow rumba with "Nakobala yo Denise," a love-song with lyrical sax and a kick-around seben at the midpoint of the 4-minute nugget. Organ returns with jazzy sax and a more psychedelic groove for "Sex Vévé," which brings to mind "Sex Madjesi" and Sosoliso, the splinter group from Verckys headed by his original trio of singers. This shows off his jazz sax while the guitars churn out blues chords. Back to the cavacha sound next (not sure this sequencing works, it jumps about a lot) for the lovely "Sisa Motema," then back to Famous Flames for the B-side of "Cheka sana," called "Talali Talala," another funk instrumental. According to Ben Redjeb three of the tracks were recorded in Nairobi. I don't know them and don't see any sign of them on kentanzavinyl either, so the originals must be pretty obscure. We strike a happy medium with "Zonga vonvon," which I would classify as a "rave-up," a speedy romp with shrill vocals and shouted chorus as well as some honking from the leader. The lovely high tenor voice on echo, launched by Tabu Ley and carried on by Nyboma was also a big thing in East Africa, with artists like Lovy Longomba and Nguashi Ntimbo. Here we get a taste of it on "Nakomi Paralise" (which may or may not be a typo for "Paradise"); singers unidentified. Actually my unease at the arrangement may be that we start with two long ten-minute tracks then have a real smorgasbord of seven varied styles until we get back into a groove with the 6 minutes and 41 seconds of extended bliss that is this guitar- and horn-driven workout. The shortest track is a charanga-style blowout called "Matinda comono" in pidgin Spanish. Then there are three bonus tracks (which I guess are not on the vinyl): "Nitarudia" is outstanding with sax and piano (a rarity) and a tight arrangement. I wish we had personnel listings on these cuts. Still it is a monumental set and bodes well for future reissues, from Analog Africa, with their faultless track record, and also for more from Mr Dynamite: Verckys.
KASSE MADY DIABATE
SPIRIT OF MALOMBO
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(click on maps at the top of the page to get to continent of choice)
Verckys et l'Orchestre Vévé comp on Analog Africa is filed in Congo Classics
Abelardo Barroso is filed in Cuba part 4
Nouri Mint Seymali is filed under Arabia
Congo Guitars 1952 & 1957 is found on the Hugh Tracey page (under Africa)
Quraishi from Afghanistan is housed, for the moment, in India & Pakistan
Ricardo Lemvo's latest is filed in Congo part 3
Kasai Allstars' Beware the Fetish is filed in Congo part 3
Moreno's second reissue on Stern's is filed in Kenya part 2
Ernie Ranglin's latest Bless Up is filed in Jamaica part 3
Zanzibara 7: Sindike vs Ndekule is found in Tanzania part 2
Alejandro Almenares' Casa de Trova is filed in Cuba part 4
My Top 12 of 2013, with best reissues, etc, is online HERE.
My Top Twelve of 2012 is HERE.
My Top Ten of 2011 can be found HERE.
My Top 9 of 2010 is online HERE
Click HERE for my top 10 of 2009
Click HERE for my top 9 of 2008
Click HERE for my top 10 of 2007
Click HERE for my top 11 of 2006
MY BEST-SELLING BOOK!"Essential reference guide to the Congo guitar king" -- SONGLINES 64 **** (four stars)
"I do not know anybody who has such immense knowledge of African music. Congratulations." -- Gerhard G (a purchaser)
BACK IN PRINT (Second edition, November 2012)
A DISCOGRAPHY OF DOCTEUR NICO
Poltroon Press, 2012, expanded to 88 pages; list price $19.95.
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